Photos of these designs can be found on TW's mag design list. Magazine Key for Teresa Wentzler designs: To Everything There Is a Season (JCS Oct 1988) Cross Stitch Designers T Teresa Wentzler/ Designworks Teresa Wentzler/ Designworks Sort By: Just Cross Stitch SHEPHERDING COMPANIONS Teresa Wentzler 3.99 Just Cross Stitch UNDER THE EVERGREEN Teresa Wentzler 12.99 Just Cross Stitch NIGHT Fairy Teresa Wentzler 11.99 Just Cross Stitch DAY Fairy Teresa Wentzler 8. to do this I obviously need to get the designs! I have a few, but need the following still: Teresa Wentzlers designs are inspired by things mythical, mystical, and magical, and she hopes you will enjoy stitching them as much as she has enjoyed. One thing I do want to do is stitch all her magazine designs and eventually stitch them together into a massive wall hanging. I think while I love her work, I am terribly scared of stitching her larger pieces! Millennium Leisure Arts 113977 Teresa Wentzler Frame size is approx 15 x 16 MISSING BEADS Kit includes: 28 ct evenweave fabric Floss Chart and Instructions MISSING BEADS Motto is: With the Lord, one day is as a thousand years, and a thousand years is as one day. I stitched it on a scroll frame from Doodlin' Around Designs. 1 / 2 Finished size is 14 inches by 18 inches. And I included a photo of the back, too More details in the comments. Good luck and enjoy! Despite all of the designers I have grown to love in the 30+ years I've been stitching, I feel like I will always have at least 1 TW on the go.I am a huge fan of Teresa Wentzler, but have only done 2 of her designs so far. FO Over 400 hours of stitching and five years in the works, I've finally finished my Wheel of Time cross stitch masterpiece, pattern by me. ![]() The bags are on a ring that goes in the kit. I will cut equal lengths of both colors and put them, with unused working length of the blend, in those bags, with the very ends of the threads caught in the zipper so they don't get all tangled. Since then, when I am done with Xs, I backstitch, so when I am done with an area, I am DONE (unless there are beads, which I often do as I go, too).įor floss organization, I have all the DMC bobbinated in a box, then I have small ziplock bags for the blends, with the symbol and DMC numbers on the bag. On Fantasy Triptych, I learned to do the backstitching as I went - in the castle panel, the trees are in several layers, and if I didn't do the bs as I went, I'm not sure I would have been able to find most of the things to backstitch. I stitched the entire dragon's DMC first, then came back and did the top leg again in the BF ////. Just Crossstitch Counted Cross-Stitch Kit 40981 Carousel Horse by Teresa Wentzler 12 Valdani 6 Strand Floss Embroidery Thread Muddy Monet 10 Yd SkeFREE delivery Thu, Jan 26 Only 5 left in stock - order soon. As far as tips go, I generally always work a symbol as far as I can - end of a section, or end of length of thread, as it makes sense.įor The Castle, I covered the entire dragon in multiple colors of blending filament (green BF on the green parts, blue on the blue, etc). I have English Garden Sampler and Fortunate Traveler as WIPs at the moment. She also had a little freebie angel that I did for my MIL no idea where that went when she passed, kind of wanted that back, since it had a $200 frame on a 3x3 piece of work. I have also done Fall Carousel and Noah's Ark, which was my first evenweave project and my first over-1 stitching on said evenweave. My fingers must have been a lot stronger then to push all of those multi-thread 1/4 stitches on 22ct, holy cow! I don't have a pic of him up anywhere, either - he's in a purple frame w/purple suede matting. I also have Stretch done - I did him on 22ct and added a bunch of metallics to it. I don't seem to have a picture of it online, but I do have all of these: Fantasy Triptych ![]() ![]() ![]() This was when aida was all that was commonly available if you didn't have an actual needlework store (kinda like now, really), so I learned 1) blended threads, 2) fractional stitches on aida, and 3) stitching on black, all at once, and never looked back. TW is basically what I learned to stitch on I had done a couple of Paula Vaughn pieces, and then discovered The Unicorn in the local craft section of some store in New Mexico way back in 1989-1990.
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